From Raw Wood to a Singing Violin

No previous experience is needed, in fact many of my previous students have never done anything with their hands and have made some wonderful violins! However, skills can be acquired and thats why I have always encouraged students to do a practice back out of less expensive wood first. Not necessarily the entire back but just sections to get a feel for using the tools. Many have thanked me for this, even those with lots of woodworking experience.

"I came to Brian’s online violin making course looking for a course that met my personal time requirements, I found so much more. Brian’s course not only met but exceeded my expectations for an online violin course." My professional life as a pilot is very demanding and my time constraints were a major concern for me in pursuing violin making. Brian paces his lessons and modules such that I have ample time to review and prepare. As well the fact its online gives me the flexibility to review the lesson on my own time so I come to the bench ready. I personally value Brian’s openness and genuine interest in my progression. He is quick to offer encouragement as you progress and is very understanding and helpful when those moments come when the result of your effort doesn’t meet your expectation or just need clarification. His years of experience in violin making are very evident in the way he teaches. His method is excellent for beginners and his insights are valuable for those who have dabbled in violin making before. He is very flexible in his approach to violin making, in that he understands there are often multiple ways to accomplish the same task in violin making, and demonstrates various approaches, which is very helpful when your learning a new skill as an adult. This is truly a labor of love that will enrich your life as you pursue it and the lives of those you touch with your new found skill. Thank you Brian" Jonathan George "Hello Mr. Lisus I just want to write you and tell you what a joy and pleasure it is to be taking your Online Making School. I have found your videos to be easy to follow and first rate, making the whole experience a heartening one.  I can see where all your accumulated years of teaching/making are evident in your videos. Knowing that I have your guidance and help, really makes what seems to be a huge undertaking, much more manageable and enjoyable. I am looking forward to seeing your next video, and thanks again for your Online School. I do not know what I would do without your help. I will send pictures when I finally finish, so you can see for yourself what a great help you have been. Thank You, With Deep Appreciation" Patrick Jordan

A good question. There are many wonderful books and videos out there showing one how to make a violin, however, mostly the guides and measurements are generic and standardized. As we are making musical instruments, tone is by far the most important aspect and in order to achieve a warm golden sound one needs to make each piece of wood a different thickness, unique to its density and structure. If one follows my system I will be able to send each individual student a set of thickness measurements based on over 40 years experience, keeping records and research. Secondly, I have designed the course assuming that a new student has never done any woodwork, let alone anything with their hands. I teach in such a way that they will acquire the foundational skills of fine woodworking besides making a violin. No need be isolated and on your own, students are most welcome to join the forum and interact with others. They can aslo attend the yearly gathering in person, where I will demonstrate certain aspects and give one on one guidance.

Every person works at a different pace, so difficult to set an exact time frame, however, your average student takes around 300 hours to complete their violin.

I will give you the contacts details of two reputable wood supplies in Europe. One in Germany and one in Northern Italy and they have some wonderful pieces available.

Surprisingly one does not need that many tools to make a violin. Below each tutorial will be a list and a link to the tools that I use. I have also set up a webpage offering alternative options which one can explore. Most of my previous students have sold their tools to incoming students, recuperating part of the money they have invested. This is a wonderful option, especially using the students forum where new students will be encouraged to join.

On the website there is a group forum (dedicated to all on the course) where as a community we can support and help each other out. I will partake in this whenever I can and answer any questions that might arise. This is also an ideal place to post your progress. You are more than welcome to send me a direct email or video with any questions that you have and I will personally guide you. If you live within reasonable proximity you can also do these sessions in person in my workshop, either hourly or travel to Ojai for the two day intensive.

Yes I certainly will. In my early days as a violin maker many contemporary violin makers around the world guarded their knowledge especially around varnish methods and recipes. In a way this was a blessing in disguise as it forced me to work it all out for myself, so I know what it feels like to have information withheld. I will be sharing with you everything that I know and this would be an honor and a pleasure.

Most present day violin makers are either copying a Stradivari or Guarneri form. For me though, I have tried to see copying in a different light and in my mind put myself a few cobbled streets away from these legendary craftsmen doing my own thing, but still using similar materials and methods. However, if you prefer you are most welcome to use a model of your choice. To me it is all about the sound, and working on my own model has been a fascinating journey, modifying things in order to achieve a golden, warm sound that projects well in a concert hall (listen to excerpts of my violins below). However, my measurements are still within the boundaries of fine old Italian instruments. Students will be supplied with all the necessary templates.

Many of my students have worked on their kitchen counters or dining room tables. So having a dedicated workshop is not necessary, as long as one has a stable surface to work on. One can use a portable vice that can be easily clamped onto a working area.

Yes you are welcome to come for a few hours or do the two day intensive class. These can be booked online and you will find the link on the students page.